the emergency network
ten is an attempt at the end of the world.
At a time when contemporary politics
feels stuck, when white modernity seems unable to sustain its production of
dissociated individual citizen-subjects, ten is a collective experiment within
the cracks of the usual. A village of emerging gestures and practices inspired
by posthumanist, Yoruba indigenous, and postactivist instigations. A gathering
without a name, without a face – not within the designated spaces of the public
to speak truth to power, but at the edges of the familiar, in the dungeons of
abjection, to rehearse new possibilities.
ten is a planetary network of care and
inquiry gesturing towards new assemblages of response-ability
during moments
when the ways that we think about and address the troubling crises of our times
are increasingly a part of those crises.
ten is a light holding of bodies in the
mechanical grip of whiteness gently swaying to the syncopated arrhythmic
arrivals of loss – a radical hospitality that catches them where they fall.
ten
is an invitation to embarkation, the partial tracing out and nomadic quest for a
binary-dissolving third way, for a minor gesture that exceeds method, for a
pragmatics of the useless, for a sensorial apostasy, for a mutiny that upsets
the patterns that lock us in.
ten is an anagrammatic disruption of politics as
usual, a gesturing towards the unheard-of, the unsaid, the middling places
glossed over by the neurotypical lines we draw from ourselves to utopia. ten is
an a-communal longing for failure, for hybrids, for stranger solidarities, for
openings.
ten is a coming down to earth.



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